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Art Hack Day at 319 Scholes
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Spoiled Milk
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Actually, really knowing someone doesn’t mean anything. People change. A  person may like pineapple today and something else tomorrow.
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We would have thought there were less places to hide on stage. Is that why?
Yeah. Theatre, if you’ve got a three-hour play there’s three hours  where no one can say ‘cut’ and it’s much easier to believe yourself. In  film, there’s so many things that you have to forget that surround you,  and so much stopping and starting and waiting around. Sometimes, not so  much in independent film but definitely in bigger films and in, you  know, in Great Gatsby, I am aware what things look like in a way I  haven’t really been in other films because I do know that it’s a certain  kind of film and she is probably the first part I’ve played that is  meant to be an object of affection. I’ve not really had that before.  I’ve always just played people and it doesn’t really matter what they’ve  looked like – whether they’ve had make-up on or not but they’ve always  just been girls or women, whereas Daisy Buchanan is meant to be pretty  or whatever. So that’s intimidating. Whereas in theatre, no one can come  and check your make-up or wipe your face or, you know, shoot you from  one side. You’re just free.
Brit Marling said she writes her own stuff because the roles  she was being offered make her ‘sick in the soul’. Does that resonate  with you? Or have you moved past that stage?
Yeah, I think she’s right. Especially for, not to sound clichéd, but  especially for women you probably do have to take responsibility and  create your own opportunities. I mean, the parts that I’m playing next  year are really small supporting roles – the Coen brothers things is a  character part, she’s in a couple of scenes. And it’s the same with the  Spike Jonze film. And there’s no leading or even large supporting roles  that, sort of, have struck me. And some are brilliant but they’re things  that I feel I don’t want to repeat. So yeah, there is. I’ve been  talking to Steve about that as well, and Steve… Steve I saw in LA last  week and he said, ‘Go away and read stuff, find your own things and  option books and whatever.’ And that is something that I probably should  do. My alternative to that is always going back to theatre. When I  think there’s nothing to do I go back to do a play because classic  revivals always, if you have the right director and the right idea,  always work on stage, whereas with film, they tend not to in my opinion.  But yeah, I can’t write. Anything. So I’m kind of stuck there but I  could get someone else to write something.
Carey Mulligan in this month’s LWLies Shame Issue
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Actually, really knowing someone doesn’t mean anything. People change. A  person may like pineapple today and something else tomorrow.
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Fanart: Lara Croft 2011 lineart by Melonie1121
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Firdawsi’s “Shahnama”: Sudabha’s Trick: two dead babies of Ahreman and the witch are shown to Kai Kaus

Indian or Persian, Late 15th century
Museum of Fine Arts Boston
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10 Legendary Bad Boys of Literature